Fashion-Films-Feast! #5: THE EYE HAS TO TRAVEL

MARIA-MARIA_Fashion-Films-Feast_THEEYEHASTOTRAVEL-5THE FASHION INDUSTRY would surely be much different from what we know today if the incredible Diana Vreeland hadn’t been a part of it: twenty five years editing Harper’s Bazaar plus nine as editor-in-chief of Vogue and those two magazines would never be the same. Fashion has an enormous debt to her and this documentary is just the proof to that. DIANA VREELAND – THE EYE HAS TO TRAVEL is the fifth in the Fashion Films Feast series and features interviews to David Bailey, Calvin Klein, Anjelica Huston and many more while taking us throughout the career of one of the most influential women of the 20th century. Come along, my dears!

A INDÚSTRIA DA MODA seria seguramente muito diferente do que conhecemos se a incrível Diana Vreeland não tivesse feito parte dela: vinte e cinco anos como editora na Harper’s Bazaar e nove como directora da Vogue US, e essas duas revistas nunca mais seriam as mesmas. É indiscutível que a moda tem uma enorme dívida para com ela e este documentário é a prova disso: DIANA VREELAND – THE EYE HAS TO TRAVEL é o quinto da série Fashion Films Feast e inclui entrevistas a David Bailey, Calvin Klein, Anjelica Huston e muitas outras figuras de relevo, levando-nos ao longo da carreira de uma das mulheres mais influentes do século XX. Come along, my dears!

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Vintage undies.

Sighs and Whispers - Bloomingdale's lingerie catalogue photographed by Guy Bourdain

I’VE RECENTLY COME ACROSS these treasures: two lingerie catalogues from the 70’s that couldn’t be more different. One is a 1976 Bloomingdale’s insert of The New York Times photographed by the great Guy Bourdin, the other is a 1979 Victoria’s Secret catalogue that totally blows away Bourdin’s fresh approach much like bad erotica playing cards would.

ENCONTREI ESTES TESOUROS recentemente: dois catálogos de lingerie dos anos 70 que não podiam ser mais diferentes. Um é um encarte da Bloomingdale’s no The New York Times de 1976, fotografado pelo enorme Guy Bourdin, o outro um catálogo Victoria’s Secret que deita por terra a abordagem de Bourdin numa estética parecida com a daqueles baralhos de cartas eróticas antigos.

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Julianne Moore’s Schiele

Julianne Moore for Harper's Bazaar poses as Egon Schiele painted in 1917seated-woman-with-bent-knee-egon-schiele-1917

BRILLIANT INTERPRETATION of Egon Schiele‘s “Seated Woman With Bent Knee” by Julianne Moore photographed by Peter Lindbergh for Harper’s Bazaar magazine.

INTERPRETAÇÃO BRILHANTE da “Mulher Sentada com Joelho Dobrado” de Egon Schiele por Julianne Moore, fotografada por Peter Lindbergh para a revista Harper’s Bazaar.